___________________________________________________________
– by PRODUBANCO – Grupo Promeri, “Tomas Ochoa”, in: Espejos con Memoria (or download here); Text by : María Fernanda Cartagena, Fernando Castro Flórez, José Luis Corazón Ardura, Fumio Najo, Genoveva Mora, Tomás Ochoa; ISBN: 978-9942-20-528-5; pp.1 – 220.
– by Miguel Conzalez, “Tomas Ochoa”, in: Art Nexus, Miami 2014, pp. 46-49
– by Iria Candela, “Tomas Ochoa”, in: Art in Latin America, London 2013, Tate Modern, pp.6, 16, 82-86, 94, 120, 125, 133, 135& 106-110
– by Rodolfo Kronfle Chambers, “Tomas Ochoa”, in: Historia(s), Ecuador, 2011, rioRevuelto ediciones pp. 88-89 & 106-110.
– by Maria Belen Moncayo, “Tomas Ochoa”, in: Ecuador – esperimental audiovisual artists, Ecuador, 2011, pp. 83.
– “Tomas Ochoa”, in: Loop Barcelona, 2010, pp. 48-49.
– “Tomas Ochoa”, in: 100 Video Artists, Exit Book, Madrid, 2010, pp. 314-317.
– by Carlos Jimenez, “La multitud segun Tomas Ochoa”, in: ArtNexus, No. 74, USA 2009.
– by Trevor Hoppen, “Tomas Ochoa”, in: Gatsby Magazine, Fall-Winter 2009, pp. 142-149.
– “Tomas Ochoa”, in: Bienalarte. Revista de la Bienal de Cuenca, Ano 3. No 7, Fall 2009, Cover and pp. 7-13.
– “Tomas Ochoa”, in: BG Magazine, No. 046, Ecuador 2009
– by Johannes Bobrowski, “Los artistas: Solo nos queda un alfabeto”, in: Cultura, probeza y megapolis, Marcelino Botin Foundation, Santander, 2009, pp. 52-54.
– by Joaquin Barriendos, “Experimental ethnography in Tomas Ochoa’s Medieval Indians Project”, in: LatinArt, 2009.
– by Beatrix Vignoli, “La ciudad desplegada en sus miradas”, in: Pagina12, 17.02.2009.
– “Tomas Ochoa”, in: Low Key, Marcelino Botin Foundation, Santander, 2008, p.70.
– by Joaquin Barriendos, “Apetitos extremos – La colonialidad del ver y las imagenes-archivo sobre el canibalismo de Indias”, in: Eipcp, 2008.
– by Manuel Sendon y Xose Luis Suarez Canal, “Madrid Mirada: un proyecto”, in: Biblioteca de Mexico, No. 108, 2008, pp. 22-32.
– “Tomas Ochoa – La casa ideal”, in Madrid Mirada, Madrid, 2008, p.120-121.
– “Tomas Ochoa”, in: 100 Latin-American Artists, Exit Book, Madrid, 2007, pp. 338-339.
– “Tomas Ochoa” – Contagion”, in Day After Day 2003 – 2007, in: FRI-ART – Centre d’Art Contemporain, Fribourg, 2007, pp. 100-101; p. 429.
– “Tomas Ochoa”, in: IKF Latin America Art Auction 2007 , Cisneros Art Foundation, Miami, 2007.
– by Irma Arestizabal, “Tomas Ochoa – The Myth of Sisyphus”, in: Belief, Singapore Biennale, Singapore, 2007, pp. 98-99.
– Politicas del Arte, Spain, 2007
– Singapore Biennale. in: universes-in-universe, Germany, 2006
– by Dominique von Burg, “Stopover im Fr-Art Centre d’Art Contemporain”, in: Kunstbulletin, No. 4, 2006, p. 56.
– by Thomas Hilger, “Tomas Ochoa – Trans-Fictions” in:Parapluie, Germany, 2005
– “Tomas Ochoa – Trans-Fictions” in: Opus C, Germany, 2005, pp. 88-90.
– “Tomas Ochoa”, in: Itinerarios 04-05, Marcelino Botin, Spain, 2005, pp. 104-111.
– “Tomas Ochoa”, in: El Pais, Spain, 8.2.2005.
– “Tomas Ochoa”, in: BG Magazine, No. 14, 2005, pp. 18-20.
– “Tomas Ochoa”, in: El Diario Vasco, Spain, 6.2.2004.
– PhotoBook, Greece, 2004.
– “Tomas Ochoa”, in: LUXflux, Italy, 2004.
– “Tomas Ochoa – La Biennale di Venezia”, in: universes-in-universe, Germany 2003.
– by Carlos Jimenez, “Venice Biennale; Dreams and Conflicts or The Imaginary Cartographies of Dissent and Marginality”, in: ArtNexus, No. 50, USA, 2003, pp. 60-66.
– Franccesco Bonami, in: Dreams and Conflicts, in: Biennale di Venezia, Italy, 2003.
– Archipielago de Imagenes, in: IILA – Istituto Italo Latino Americano, Italy, 2003.
– Globalization, Nomadism, Identity, in: Vll International Biennale Cuenca, Ecuador 2002.
– by Marco Antonio Rodriguez, Grandes del Siglo Veinte (The Great of the Twentieth Century), Ecuador, 2002.
– by Marco Antonio Rodriguez, Palabra e Imagen 2 (Word and Image 2), Ecuador, 2002.
– by Kevin Power, Politics of difference – Iberoamerican Art of the twentieth century, Generalitat Valenciana, Spain, 2001.
– Nuevos Cien Artistas (Hundred New Artists), in: Mundo Diners , 2001, Cover and pp.
– De la Inocencia a la Libertad (From Innocence to Liberty), Ecuador 1998, Cover and pp.
